Actress,
dancer, and author, Corinna Coroneo
was born in Galatina
in Salento, Italy.
She studied classical
and modern dance for fifteen years. In 2003, she graduated from DAMS in Bologna with a thesis on the film “Querelle”, an adaptation of the famous novel by J.Genet. Since 2004, she has been working in independent films, taking part in feature
films and several short films, including “The Poet” by Mauro John Capece of 2012 in which she played the female lead. She has won various
awards for her film “The Sculpture” at The Indie Fest, The International Euro Film Festival,
The World Film Awards, Jakarta, and The Nez International Film Festival. In an exclusive chat with
Abhijit Ganguly, she speaks about
her journey in the film industry on the sidelines of The NEZ INTERNATIONAL FILM FESTIVAL, an
initiative by Dr. Sudeep Ranjan Sarkar, founder of NEZ Foundation.
The presence of women in the audiovisual sector has increased compared
to the past, but I think that there
isn’t a complete equality of the sexes today, especially in the areas of cinema that are more technical. I also believe that
the male roles are always predominant. Stories
are written that continue to focus on men. But this reality
has never been a problem for me. I am a woman who loves women,
the different facets of the soul of women. And if I had the opportunity to produce
I would do with great courage
and love. I am a writer who loves to write stories about women and an actress who likes to explore.
The most important thing for me is to make films, as a producer, as
a writer and as an actress.
I think it is more important
to do what you love rather than sit there and focus on the various
issues and on who has more
power. I believe that the greatest
power that each of us can have is to find our own ways to do what we love,
go our own way, and be happy about what we do. Life is full of problems,
but we have to try beauty and love everywhere.
Have you experienced gender discrimination or sexual harassment?
No, never fortunately. Discrimination for me touches other aspects, for example, the
closed mind of the producer that continues
to focus on simple and stupid movies, comedies, spanning the average people rather than focusing on culture and art. This is the true horror.
And there is no sex difference here.
All performers at one point or another face negative criticism for their performance, and are unraveled by it because they feel they have done a great
job and given
it their best. How do you
deal with criticism?
An
actor knows how to perform an act of magic, travel and above all, know that his work will be
submitted to the judgment
of the viewer. An actor must never
stop, must always explore and be curious.
And criticism, positive
or negative, must always be seen as a gift. We have to understand that we must grasp in what way
criticisms can develop us. We need to bend criticisms to our service. Only in this way an actor can dig deep into the mind of the beholders and offer them
even greater magic.
What
has been your most challenging role and why was it been so?
Each
role for me is difficult and complicated because I like to get to the bottom of the character. There aren't difficult roles for an actor- this is the essence of life, it is its oxygen.
The difficulty is only in the search for that which belongs to the character and not the actor.
But that's the fun part: exploring what is unknown to us daily.
What
would be your dream role?
My dream role is to play a man, exploring the body and the
mind of a man being a woman!
If
you were to give once piece of advice to younger women you meet, what would it be?
The only thing I could say to anyone is to remain true to themselves
and their integrity.
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