Hip Hop Psychology (www.hiphoppsychology.org)
 is the study of the psychological meaning of Hip Hop discourse 
(emceeing/rap, dance, visual arts, music production, spirituality, 
culture and education) and human development as it applies to 
educational and therapeutic contexts.Recently,
 Peddro's Salsateca (PDST), Kolkata in collaboration with Hip Hop 
Psychology,USA organized a workshop in Kolkata.   Abhijit Ganguly spoke 
to Lauren Gardner, Debangshu Roychoudhury, and Debanjan Roychoudhury of 
Hip Hop Psychology on the sidelines of the wokshop and performance. 
Debangshu is the Artisitc Director, while Lauren is the Operations and 
Organization Specialist and Debanjan is the Youth Organizer and 
Marketing Specialist for The Hip Hop Psychology Performing Arts 
Movement. 
Hip Hop Psychology…..
Hip Hop Psychology basically breaks down to three prongs:
It
 has to do with scientific research in the areas of psychology, human 
development and education – on how urban arts, particularly hip-hop and 
the various variations of hip-hop, including dance, music, the culture, 
graffiti, the verbal aspects of hip-hop art, how that influences youth 
development, and how hip-hop art can influence things such as literacy, 
psychological well-being, and social-emotional development.
The
 second prong has to do with consulting services, which means going 
global, interacting with hip-hop culture that we see as based in New 
York City and bringing that to other places in the world, as a form of 
diplomacy to create a hip-hop based infrastructure, creating schools 
that can utilize hip-hop arts. 
The third one, our favorite, is entertainment.  We go around and
 we perform pieces that capture the spirit of Hip Hop Psychology, which 
has to do with experiences, emotions, expression, social justice, and 
taking an activist stance.
Hip-hop dance in terms of health……
Some
 of our students have created different dance pieces to talk about 
domestic violence, experiences in their homes/communities/classrooms, 
about feeling lost, confused, not understanding their identity, coming 
out as gay, etc.  Some of the girls were saying, at school they were 
always fighting and arguing – and that they felt it’s ridiculous and 
need to stand together and do something. The young ladies suggested they
 should dance together, and so express solidarity.  So in terms of 
health – there’s the physical, mental, but also spiritual aspects of 
health.
Hip hop literacy…… 
Hip-hop
 literacy, a lot of it focuses around developing critical consciousness,
 by bringing thought and action together. It is also about utilizing 
hip-hop to increase literacy, to have people be critically conscious 
about not only the consumption of media, but also about the production 
of their own media, creating conscious consumers AND producers.
With
 hip-hop, over time, you want to see an increase in vocabulary usage, 
because the more you rap, the more you engage in the use of vocabulary. 
 There’s a thing, when you rap, it’s called “multi-syllabic uses”…..it’s
 a lot of syllables, so you should be seeing a greater amount of 
syllable usage per sentence, and obviously a greater amount of syllable 
usage belongs in words that are much more profound or abstract.
One
 of the things you should also see is a truncation of an argument, 
because hip-hop is written in a more truncated manner – it’s four beats 
per bar, so “June one-seven ninety-four dropped from Heaven” – right – 
so making an argument using 4 beats allows for a more truncated and 
articulate argument.
Misconception…
I
 think that one of the things, when people say that Hip-hop has 
misconceptions, we mean one strand of hip-hop, and that is a 
corporatized commercial iteration brought out by a few major 
companies, which probably only represents 1% of the entire global 
hip-hop culture.  So it is like boiling down all of Indian culture to 
one Bollywood movie. Both forms of commercialization are focused on 
profit, not developing culture.  But when we look at the global hip-hop 
culture which we saw today through our collaboration with Peddro’s 
Salsateca, it is much more complex.  Some of the things that come across
 as negative are just real expressions of the issues that are happening 
in life. We also are able to see how youth across the globe, especially 
here in India, express their hopes, dreams and plans for the future 
given the rapid changes and the fact that the majority of youth are 
being left behind economically.
 
 
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