Raising A Glass To Low Histamine Wines.


Sebastiano Ramello from Piedmont region Italy, grew up in one of the most important high-quality wine territory in the world, "Langa".Iin the last 10 years he has spent more than 200 days a year around the world, from America to Europe to Asia as a spokesman for high quality Italian wines. As wine expert and international Italian wines consulant, taken him to select high quality Italian wines. He also collaborated with many of food - wine magazines in Italy and abroad, Hong Kong, USA, China, where his role has always been to introduce Italian wines and wines territories and explain how to approach them.

In the last 6 years, he started  a search about food intolerant related to wines, first in the world of its kind, working closely to some of the best Italian wine maker, wine test laboratories recognized by the Italian Government and doctors, and thus giving rise to the selection certification brand "Low Histamines" certifying wines with histamine content of less than 0.5 mg / liter, wines due to their uniqueness, as stated by many doctors, can be recommended to wine sensitive and histamines food intolerant.

In October 2016 he received the highest award, the gold medal, by the “Israel Master Chef Academy" as one of the best selectors of high quality Italian wines in the world. His selector brand "Wine Selection Sebastiano Ramello" is known in the main continents. Sebastiano is currently traveling with his partner Franca Demaria (international Italian food consultant) in South India, to deepen our culinary culture, Indian wine production and as a spokesman for high quality Italian wines, early to late February is back in Kolkatta before continue his trip to Hong Kong and China.

Where did your interest in wine start?

My interest in wine started right away at an early age, when my grandfather (my mother‘s father) "Jo" started taking me in the cellar and teach me how to make the wine.  At the young age of eight years I got to taste it. My grandfather owned a small winery in Piedmont region Italy. One the most important region for high quality wines in the world. For me as a child, the arrival of the harvest was always a big party, my grandfather gave me half a glass of wine and explained to me how to appreciate it. I grew up with a passion for wine, the desire to discover the world, the passion for communication and the great passion of the different cultures, taught to me by my father Francesco, who works with me in the wine. (My father is the president of an association that promotes Italian wine and wine region in the world which is called " Piemonte Sweet Home"). As soon as I could, I put together all my passions, it is I've done my job.

What's trending in wines for 2017?

The Barolo Docg continues to be the most important Italian wine in the world, but also the demand for organic wines in general continue to increase and the every month, there are more request and interest on "Low Histamines". Also this year will see me again in my travels across the North America, Europe and Asia, where I will be present at the main wine fairs and the most important salons of the industry. The year 2017 is also the year that will see me more in India, country that I love and that I decided to devote more time.

Any exciting new things wine producers are doing?

The most important innovation in the wine world is bringing forward by the Winery "Veglio Michelino & Figlio", a small, historic, family winery (5 generations of producers), situated in the heart of the Langhe wine territory in the region of Piedmont in Italy, in the municipality of Diano D'Alba, who along with researchers and the group “Low Histamines", followed directly from my person as the person that start the search food intolerant related to the wine, after 6 years of research has succeeded in producing the first wines DOC and DOCG "Low Histamines" with content of histamines less than 0.5mg / liter (normal red wines have a histamine content that varies from 4 to 20 mg / liter), wines that due to their uniqueness, as declared by different doctors and nutritionists can be recommended to wine sensitive and histamines food intolerant (mean at all those people who drink wine, especially red can create headaches, migraine, colitis and other allergies). To do this, the wine maker Veglio Osvaldo managed to find out how to control mold and bacteria that produce histamines in a totally natural way. This is for sure the greatest innovation in the world of wine production in the past 30 years. You can found more information on the website www.lowhistamines.com.

Some countries around the world produce great wines. Any countries that are front runners in your opinion?

The driving countries in the world for what concerns high-quality wines are Italy (the largest wine producer in the world) and France. The two countries who have years of wine history. Italy is  more then3,000 years that produce wine. And the most important Italian wine region are Piemonte and Toscana. But it is good to see that in recent years many countries as also India have started to improve in wine production.

What are your tips for those who are new to the wine on how to get the most out of their favourite variety?

My advice is to taste as many wines as possible and different wines from different wine region. Trust in wine experts that came from a wine territory, who can give elementary notions of how to taste and appreciate a wine. Also I suggest taste the wines with food. The best way to appreciate a good wine is paring with a good meal. For example I suggest Chicken Biryani rice, combined with a Dolcetto d'Alba DOC, or with a Dogliani DOCG, both a great indigenous red wines from Langa area in Piemonte region.

What do you think is the most common mistake most people make when it comes to wine?

It is to follow the famous labels and not the personal taste. I always suggest if can to do a short wine course, even elementary, and follow your own taste. Wine is pleasure.

There are a lot of myths and “facts” about wine. Is wine healthier than we think?

The wine, if done well by following the right rules, is a very healthy product, a food, but we must always remember, however, that contains alcohol, and should be drunk in moderation. Currently thanks to research, certainly, among the healthiest wines there are those selected "Low Histamines", as they are sensitive to the problem of food allergies, which are increasingly growing in the world. In my area, where I live in Italy, always the wine is seen as part of the daily diet, many wines contain important principles such as polyphenols, that are good for our body.

Is Wine a smart Investment? If we were to invest in wine now, what should we be looking at?

Since many years I teach my clients worldwide as investing in wine. The wine can be good source of investment and profit. But absolutely it is not easy, to do this we must rely on experts, consultants, that completely understand the product, the trend of the international market and the production of individual vintages. The only Italian wine on which you can invest is the Barolo DOCG, as it is a wine that can be storage for 40 years, and that improves over time by increasing the price, especially for those exceptional years that you sell and consume quickly. I suggest you invest on the vintage 2016 as in the Piedmont region has been a wonderful year.

3

The Body, Heart, And Soul Of An Artist.



Susanna Goho-Quek's first picture book, God is Hu? shows her love of painting, nature and telling stories to children. A grandmother herself, she loves working with children. Susanna has also established herself as one of the most respected names in the antiques and collectibles market. She was also an interior decorator, art exhibition planner and fashion designer. Recently, she was here for the Apeejay Kolkata Literary Festival.

How do you get inspiration for your stories?

INSPIRATION as described in the dictionary...I checked and found half of the words applied to me. I would like to think that an idea took root and could not shake it off, or I did not want to shake it off and slowly but surely it enveloped my whole being. You open your eyes be it to the "Cockadoodle doo " from the  rooster in neighbouring school or the "kroo kroo" from the grey bird with pink feet and beak or sounds of children, laughing, shouting , running in the neighbouring school or Thunderstorms with thunder rolling  and lightning streaking across the skies. And a grandchild waking up in fright. With arms around her, you soothe her brow and tell her a story “God and his band of angels and saints are so busy answering the laden baskets of requests. Still have tigers in the wild They wipe their sweaty brows and mutter under their breath."ENOUGH guys" said God “Let’s have a break. (Even angels need it..Right?) Off they went to the bowling alley in the sky..."BAAM  BOOM BAAM"..a strike!!!!
"Don’t worry darling child”. Wiping her brow "Dont be afraid, its only God and his band having a little fun". My idea of a God that is funny and fun loving ,full of colours(look at the sunset, clouds purple blue and pink a wee bit cheeky  (different shaped animals and birds with pink feet )fruits of different shapes I could go on and on. I attended a lecture about God and religion. I went because my best friend asked and was driving me there and back and supper too. Oh yes I am a "Pampered Pooch" The priest talked about religion and he mentioned God and Creation. In my mind’s eye I saw a huge man wearing a white paint splattered smock . He was jumping around with a huge brush in his hand painting mountains, sea and sky. Trees and flowers took shape...a wee spray of perfume, butterflies and birds, animals big and small on the seas and fish, striped, polka dotted and spiky ones too. Ha GOD is an ARTIST that was when “GOD is HU" took shape. I pondered over it and the images came and words too felt God gave me a special gift I wrote and self published GOD is HU. 

Bookshops don’t take self published books You need a publisher and distributer (of course Ii did not know it then) so it languished under my opium bed Son bought me a computer and at about 9 at night I read an article by Mr Ramachandran  (Director of National Book Dev Council Singapore)We encourage writers etc .So I wrote to him  a very terse note I wrote a book and published and NOBODY wants to stock it..!!  10 o clock he did not reply 10 .30  still no reply  So i went to bed muttering  (don’t ask me what).Then I got up for the loo at around 11ish 12  and peeked at the computer.. Lo and behold He replied”: Dear Susanna , how wonderful, do bring your book to the National library  and meet me tomorrow “  I could not sleep when I arrived, he stood up and somehow I knew this was the man he helped me arrange a launch  and the rest is history. Of course, I also helped curate the illustrator’s gallery where they hold the AFCC yearly God is Hu Launched at ARTs house Singapore.

Take us through the process of illustrating a book; how does it go from an idea in your head to a finished work of art?

ln Oct 2015 a gentleman walked into my gallery bought a book and brought back to England Turns out he was Father McBride of Redemptorist publications based in Hampshire UK and he wrote and wanted to use my illustrations for cards. I signed my first agreement with them1 Dec 2015 and now this year they published a diary with my paintings too. Now i am doing the final few sketches to make into a colouring book So it’s a long long tumultuous journey NO?? In 2014 Fun at the Opera Launched in Delhi at Alchon Int School 2nd book FUN at the OPERA was inspired with my growing years After my father (SC GOHO died, we became rather poor(so, to preserve his name my mum did not want to fight for the inheritance) and my mum got together a Chinese Opera troupe and they toured  Singapore, Malaysia , Indonesia, Vietnam and even USA..
Her adopted son my brother was learning to be an Opera singer, and I wrote a little about our experiences  with the Cantonese Opera.
Mostly a true story of our growing years where my mum adopted a whole bunch of kids and how rambunctious we  were. We still are when the whole family gets together. Not an easy task as one in Switzerland and another London two in Singapore and children all over. Mostly all true story also  written in Chinese In 2015: The Teddy Bear Activity Book: It’s a colouring and storytelling book I sketched and sent to 28 of my friends and family and they penned a few words(not allowed more) as then kids can colour, add their animals or birds or people whatever and colour and write and tell their own stories .It’s a book where children, teachers , parents, grandparents and friends can enjoy together, storytelling or--singing a song or just snooze In 2016 three colouring books published by OYEZ  Books Teddy bear tales...teddy bears Underwater world... fish and under the sea Happy days..Kids running around I also have illustrated for a few writers. But I am crazy and picky. I must have my own way. But to do somebody’s work you have to get under his/her skin and have the same beating heart and they must TRUST U. Then I can give my ALL and MORE.


What do you love about writing and illustrating for children?

Well, I lose myself in the story, for that period, I am not myself but the character. When the child or grownup reads to themselves or to kids, they become young at heart and playful and smile and sing and dance, If that happens I would have succeeded.

Which is your favorite book the you illustrated?

Suppose, every book I write or illustrate,  I go in" body heart and soul" I can go without sleep or food because I get engrossed. I have written 3 above and illustrated WATER..2013.. collaboration with author Christopher Cheng Published by AFCC Publications NATIONAL BOOK DEV COUNCIL in celebration of International Year of Water Cooperation A SINGLE TEAR 2010, Collaboration with Prof KK Seet The ICEBALL MAN and other poems by Margaret Leong IMPART arose from a Christmas party (refer Art with Lots of Heart star hill) Because I hold classes teaching ART at National Geographic store.
The team at YTL and National Geographic asked me if I wanted to help organise a Xmas party on a budget of 2000 Ringgit WOW I thought, how generous. Asked a few friends and they gave me numbers to call. First orphanage said sorry we are booked for a few parties already second said, sorry we have an outing Third said, sorry the kids go home for Xmas, single parents Ah well I thought no party then. But saw a friend who organises a school for  Myannamar Refugees and I asked her YES YES YES she said but I had a budget for 1 party and she had a huge number of kids went to meeting to discuss party and found that Santa Claus would have  cost 1000 so we eliminated Santa bought 4 Santa hats for 10 dollars and we had two parties for the kids Presents donated by Mak Samad (a gorgeous big hearted lady who encapsulate us in her heart the café cooked food friends donated more food we had Van Kleef  and Arpels balloons (left over and donated by manageress) But, the kids were happy but so what? What more can I do for them?

So my friend Mink picked 4 kids and another friend Dr Hartini picked another 4 from the street children organization and I taught them to play and in the process become art teachers, using my very simple method and they go back to their centres and teach the other kids. My friend Phik Yin who owns Pelikan offered to sponsor the materials. So very kind and forever grateful to her Art with Lots of Heart star hill. Children are innocent creatures they are curious and usually ever willing to absorb and play along with an idea. I can’t say I have a favorite book that I illustrated (the books will cry..You mean that one is youur favorite?) They will gang up against me no? God is Hu,my first born Fun at the Opera 2nd born Teddy tales third born. Like a child in the womb you talk to the child, sing to the child, scold it a little when it kicks, discuss with the child pray with the child, joke with the child, laugh with the child, cry with the child dream with the child. The book is your child and after it is born and distributed to the world that is when you share it and set it free "Now you belong to someone else, make them happy."

Are there any upcoming projects that you would like to mention?

Tentatively,TIGER I own a collection of woven Tiger Rugs (not the real skin)Held this exhibition at Muzium Negara (The official  Museum of Malaysia in year 2000 Plan to launch it again  in 2017. It’s a huge project as there are 13countries that still have tigers in the wild and there are only 3000+ tigers left roaming in the wild. We will talk about their habitats, Symbolism, folk tales Legends, Horoscope, characteristics etc Curators whom I will pick from the various homes will be trained by me(CSR).GOD IS HU the journey of this book from rough sketches to  hand painted copies with a box a book for the visually impaired..Tactile and Braille printed copy Cards..,Redemptorist publications Diary............." colouring book yet to be published Art exhibition  :my paintings  perhaps with another artist from London  to raise money for charity. But with wired installations of the human body, will show a drawing. A few others in the wings.

What advice do you have on writing and illustrating?

 None really. I who do not listen to anybody, am in no position to give advice. Who knows you better than yourself? It’s a bloody tough road out there If you work hard and pray someone likes what you write, pray for luck, pray for patience, pray for whatever. After all how many JK Rowling’s can there be? As long as you are happy I guess, do whatever you like!!!!!!

2

Citizen of the World speaks from Experience.


Florian Goffin was born in Belgium and consider himself a world citizen. He is travelling the world by cycle to Central America for about 3 years to contribute in social/environmental projects and promote the societal changes to inspire people to make the world a better place.  Florian talks to Abhijit Ganguly about his travelling around the world on his bike.

When was the moment when you decided to change your life for good?

When I realized that I was not happy with that routine of life where I was a slave of a system that destroys us as human beings and destroy the nature we need to survive. That there were no reasons to be scared to listen my instinct to try to build my own project of life regarding my values.


What sparked your instincts for share by bike?

The wish to be free, live my life and follow my feelings rather than everybody else, the society, while doing something for others in the same time. Trying to experience everything I do… The main feeling is to live in Central America (Latin culture and tropical area) and build another life based on in-dependency and freedom of all ways for everyone, sharing and respecting nature and humans. I think living there, with all I will do and make my deeper feeling come true, will not push me to travel much more after, especially if I want to avoid taking planes. Also, I felt that I have to go to India and Canada before (2 big steps of the project, 6 months stay each).

My previous experiences of travelling in the usual way, by plane/car/walk, compare to my recent way to move only by cycle/train/car sharing in Belgium pushed me to do this project in a responsible/experiencing way. Bicycle reduces expenses and pollution, so more freedom and more respectful.

In Belgium, with the experience of organized/participated events in alternative initiatives (work to make things different/better) I realized that many people out of that other world under construction are, of course, asking for these things but don’t know where they are, where to look, where to start, … It was one of our task in the community that I was in Belgium (international community : “Transition network”), share, make awareness and bring the information to people to be able to make the first step if they want to.


So the sharing part, is quite the same, bring some of all the richness of the world that we don’t see if we don’t look after it… To most of the people I meet, the events I make, the interviews. The alternatives lived on my way or not, videos and websites from all over the world to help people to go further in their choices/actions. Plus, the travel by cycle (“slow travel”) and the beauty of the nature and humans around the world.

What's the most inspiring story you've discovered on your travels so far?

Everyone is inspiring with his own story but if I had to choose one, it would be “Project potential” in Bihar that is really close to my next project. A campus for youth to learn by experience and freedom how to build independence of life, sustainable development, etc.

What are the scariest experiences you've had?

Maybe few minutes a couple of time when I was camping, I heard wild elephants or some other unknown noises. I know I won’t have problems but too much television by the past make you think wrong sometimes… More experiences I have, less scared I am but I keep being careful and listen my instinct that know better what to do.

What has surprised you most about the trip?

The most amazing is the beauty of humanity that we don’t specially realize when we don’t travel and interact with locals, mostly because of the wrong ideas people shared in many places, so I listen my heart, not the wrong judgments.


Have you ever felt like giving up?

Yes of course I wonder sometime why I am doing this, and then I think about my freedom, the magic of life, the beauty of this journey with its all new experiences, all the things I can share with people. I have to do what I am doing the way I do it because I feel it to, an important journey to experience for me to go to the next step… Respecting the feelings coming from my inner self, have respect for others and nature as much as I can in my actions. If I don’t make it for me, nobody will and we live only once this human experience.

What is your advice for today’s youth who are aiming to embark on an adventure to promote a cause as you do?

What I say to everyone, no matter what they want to do, stop listening your fears and other people and start to listen to your heart/instinct that tries to tell you where to go in your life and never give up.

0

Reflections of a Poet



Alessandro Lutman is a student of Literature and History at the University of Udine, Italy. He wrote his first work in 2015, "Poesie d'autunno" (Autumn Poems), becoming the youngest poet of his region. "Poesie d'autunno" was translated to English, Danish, Russian, French and Slovenian. In addition to studying, he writes for local magazines about literature. Recently he was here for the Apeejay Kolkata Literary Festival(AKLF).

Was there ever a moment when you thought ‘I’m going to be a poet’?

I can't answer it because the right question is: Am I a poet? Is it enough write poems for being poet? I have no response. So, actually I can only say when I began to love and live completely poetry.  I was reading 'L'infinito' by G. Leopardi and I understand the beauty of this genre and the need to explain my feeling through it;


Is there a method you follow when while putting pen to paper?

I let speak my mind, probably it is the only method I follow while I'm writing. However it is very important the place where I compose, too.

Which literary cultures and schools of thought have influenced you the most?

 I have to declare my love for Romanticism, which influenced mainly my first poems. It is the only literary movement that hits me. Then there are a lot of poets who can be considered my masters but the most important for me is absolutely Pier Paolo Pasolini, an intellectual died in 1975. He was so different from the other writers that I realized early he would have had a primary role in my poetry.

What are some of your favourite poems you’ve have written? Which mean the most to you?

First I have to do a general reflection: my favorite poems change depending on emotions I feel. In this moment I find very beautiful"She was Love", "A call comes from the sea" and "Ten, a hundred and a thousand years". The first is absolutely the excellence respect my poems, even if after the India's journey I should be name "She is loved". Here in Kolkata I discover again Love. The last one was written for a wonderful person who helps me when I was child and now I hope she watch me from another world.

What aspect of writing poetry is the most challenging?

Absolutely sharing my poems and then speaking with people who are interested, as I made during the AKLF. Even if writing poems arise cause of my need not to become crazy! Writing is a need for my psychic safety.


How is poetry relevant or valuable to contemporary society and culture?

Poetry - like all art - should have a primary role in the society, above all in these problematic years. It should have but the reality show us a different situation where art lies only in the heart of few people. Someone says poetry will save the world, I am pessimistic, poetry will save nothing if people continue not to understand the significance and loveliness of the whole art. Surely in a utopian world everyone would consider art essential for life.

Has the internet helped increase the love for poetry?

In my opinion Internet could make poetry die if poets don't pay serious attention. It's not easy to explain why, I try. It's obvious Internet leads so many people to discover poetry, to read some poems and I can't deny that but this interest doesn't become love because Internet requires fast reading, on the contrary poetry requires quiet, calm and reflection. So a lot of people read without understanding the poem.

2

The art of emotion: exhibiting the human condition through sculpture



On the eve of the 45th year of diplomatic relations between Vietnam and India (1972-2017), a group of Vietnamese artists showcased their art work: twenty painters, sculptors and photographers from Hanoi, Hue, and Ho Chi Minh City gathered in Kolkata to exhibit their extra-ordinary art works. The exhibition consisted of two parts. The first part displayed artworks of Vietnamese painters, designers, sculptors, lacquer artists, do paper designers and the second part of this exhibition exhibited photographs of the panoramic and natural beauty, life style, religious beliefs, customs as well as culture as a whole of the people of Vietnam.  In the last 30 years, these art works are well appreciated and have received prominence worldwide. The exhibits of this exhibition had travelled from New Delhi to Kolkata, with the help of ICCR, FREED, Sampark Publisher and Alliance française du Bengale.  Do Thi Hong Hanh,a Sculptor whose work was exhibited shares her thoughts.



How did you become interested in sculpture?

When I think about fine arts, firstly I think about painting, drawing, but my strong emotions are sculpture.


How do you choose your subject and themes in your work?

My subject and themes in my work is life and the life of women. Images of the life of the women in all areas in my country, all changes in the life and how it affects humanity.

Where do you draw inspiration from?

My draw my inspiration the society and the human beings.

What is the most difficult part of being a female artist?

Being a female artist it is very hard to work in fine arts. In Vietnam, female artists must earn money as a male artist, but their work is not as strong as male. They do not have enough time as male. Since they have to take care their family, cook and housework, and spend long time with the new born baby.



What's the situation like in the Vietnam contemporary art scene?

Vietnam contemporary art scene is booming. At present, I do not have any international exhibition but at the national level, I have a lot of projects.

What advice do you have for aspiring artists?

WORK HARD!
0

Exploring the vastness of Indian classical music and sitar



Tadao Ishihama,a versatile sitar artist, was born in Osaka.Tadao started playing the sitar from the tender age of 15.After a period of intensive training in Japan,Tadao Ishihama came to India for the first time in 1997.After a few trips back and forth, he came back to India and started learning the sitar under the tutelage of the eminent sitar guru,Pandit Monoj Shankar of the famous Maihar gharana(also known as the Senia gharana),in Kolkata.Ever since Tadao Ishihama has been giving stage performances at various important functions and venues not only here in India and in Japan but he has played the sitar the other Asian countries. In Japan, he not only conducts cultural functions but has also dedicated himself to introducing and teaching aspirants to the heritage of the north Indian musical instrument-sitar.

At what point did you decide to start playing the Sitar as a professional?

I never decided myself, it happened naturally.  I started to play this instrument when I was 15 years old. In fact, I started to perform when I was young.  But, I came to know about the real meaning of profession years later.



(Performing in Japanese National TV)

Who are the musicians who influenced you?


Of course my guru Pandit Monoj Shankar, and his guru Ustad Bahadur Khan. I had a deep influence from them.  Also, I used to listen to R&B music, Rock, Pop, Jazz, and various types of music from my teen age. There is no end to put if I choose some names of the artists.I was learning painting from since I was 5 years old, and later on I graduated in Japanese ceramic art. I was also learning Manipuri dance under the guidance of Smt.Kalavati Devi since I was 21 years old.  So for me, I had influence from not only music. Any kind of art forms inspired me since my childhood. Everything came out through my music.

You have worked with a long list of collaborators in your career. How important are collaborations for you? 


Yes!! I have collaborated with various kinds of artists like, musicians, dancers, poet, visual artists, etc. I am Japanese, born in Japan, but for me Indian classical music and playing of the sitar is like a home, because my first proper music training was in Indian classical music.So, share the music and cultural back ground with some other artist, collaborations is always fun for me and I always get a different kind of idea and energy from those collaborations, then bring it back to my home Indian classical Music.
Luckily I had an opportunity to appear with many renowned artists like, Park Bum-Hoon [composer and conductor from South Korea], Astad Deboo [Indian contemporary dancer and choreographer] in the age of before 30. I learned quality of creation, atmosphere of stage, and many things from those experiences. So, collaborate with someone, perform with someone on the stage is the place to get a big perception also.




(Performing with Ansan traditional music orchestra conducted by Prof.Park Bum-hoon.)

An artist you would  like to collaborate with?

I have deep interest for Georgian Polyphony music for many years; I think that types of melody and harmony can be worked as well with our Indian classical music melody. But I don`t know anyone in that music. I hope that idea can be happen in future. I would love to collaborate with artists like Tigran Hamasyan [Armenian jazz pianist] Robert Glasper [American Jazz pianist and producer] T.L. Mazumdar [ Germany based Singer and composer] and many.

In recent times there has been lot of groundbreaking experimentation with the sitar. 

The Sitar is old musical instruments, but materials, number of the strings; sitar had many changes and improvements in the history. Still now some instruments maker made nice microphone for sitar, some maker tried with new materials etc. Of course it’s important to keep the old tradition, but same time all the instrument maker also should focus about possibility and experiences.




How important is improvisation and more experimentation in the sitar music?

About Improvising, it`s one of the special point for all the sitar players. We can be flexible on any kind of music because our Indian classical music is fully improvised music. It always keep changing.


Could you share with us the importance of Guru Shishya parampara in Indian classical music?

Teacher and Student,  Guru and Shishya, is different things, this  is same in Japan too. I think it`s same in any Asian country. We keep much deeper relationship with guru; also we learn not only music, like musical history, customs, behavior, and true musical training. Those things come out from guru shishya parampara. But that situation is getting change generation by generation now days. It`s difficult to say good or bad, we will see what is the changes in future.


It is often said the future of Indian classical music is facing a huge question mark in our country.  The popularity of this music has so plummeted downwards that only a handful of listeners attend these classical programs, with very few exceptions. Do you agree?

It`s difficult to make a answer, but yes, I agree with that many Indian young generation is getting far from classical music, and also many people say that music listener has been change a lot too. But personally I think, our Indian classical music should be more global. For example, there is many player from China, Japan and India in the western classical music, if Indian people think Indian classical music is only for Indian listener and Indian player, then Indian classical music will stay as just one of the world music. But if they think Indian classical music should be more world wide and international, that music will be flying to new music genre as Raga Music in many countries.

You word of advice for aspiring sitar players?

Our instrument Sitar is such a unique and beautiful instrument, you thinking you have chosen sitar? No, Rather sitar has chosen you.  We always keep strong mind to keep old and deep tradition, we always keep open mind for everything.


Tadao Ishihama Official website - http://www.tadao.in/

2

“Passion is the key element”


Tao Huong, Graduated with a Bachelor’s degree from the University of Industrial Fine Art and a Master’s degree from the Vietnam University of Fine Arts. She is the  member of the Vietnam Fine Arts Club. Tao Huong is Fine Arts college teacher, Head of Fine Arts Department at Hoa Binh University . For the second consecutive year, the Alliance française du Bengale collaborated with the Embassy of the Republic of Vietnam in India for an exhibition of works by Vietnamese artists at the ICCR Kolkata. Tao Huong painting was exhibited. 


What initially sparked your interest in painting as an expressive medium?

I choose art as a way to express my feelings and point of view with life and nature. Sometimes it helps me to speak up, to draw my own dreams. Whenever holding the paint brush in my hand, I feel relieved and be able to get closer to all desires that I can hardly touch in real life. That’s why I’m so attach to art as it also find me many sympathetic friends.

How would you describe your artistic work?

The artistic style that I follow is realistic and sometimes surrealist. Recently my art work tend to follow surrealist more every passing day. However, I still try to remain the softness and lovely vibe in every painting.


What is your preferred medium of work and why?

The materials I often use are oil-paint and acrylic. These two materials can easily impart the ideas that pop up in my head and support me a lot in depicting the beauty of colors through every art work.

What is your creative process like?

To create an art work, I first start off by arranging all the ideas that I’ve already got. The next step is to sketch them out with pencil(black and white).  At the same time I imagine these sketches placed on both rectangular and square canvas to decide which one fits better. Next, I put them all on the fabric by working with oil-paint color. This process may lead to many effects that I myself have never discovered. This is such an interesting process because the art work will still be imposed by ideas but also be guided by sudden inspiration. From that base, I slowly build up until I feel satisfied.


Do you have any specific projects you’ve been wanting to do?

I'm nurturing a project which connects groups of artists all over Asia. I found that the cultural diversity from each groups will attract artists as well as art lovers from other countries. Understand that we all share the same purpose is to seek for beauty in our lives, I’m truly want to arrange more exhibitions in both India and Vietnam. During this time, the artists will have a great chance to explore one another’s cultures.

Any advice to other aspiring/young artists/ creative students?

As an artist and a lecturer, after years of teaching, I found that passion is the key element which decide if you can create high quality art works or not. I believe that it is possible, especially when you draw something your heart wants, which came from the bottom of your soul.

0

Brothers And Baroque Music.


Daniel Zapico was born in 1983 in Asturias (Spain). Since his early youth he has studied the field of Early Music, specializing in the theorbo in 1999. Along with Xavier Díaz-Latorre, he finished his High Studies with the maximum rating from the Escola Superior de Música de Catalunya (Barcelona, Spain). In 2012 he earned the Master’s degree in Musicology, Musical Education and Interpretation of Early Music from the Autonomous University of Barcelona (Spain) receiving unanimous praise of the court for his degree project about Robert de Visée. As a founding member of the ensemble Forma Antiqva, he has played extensively in important festivals throughout Spain and in several concert tours in Australia, Austria, Bolivia, Brazil, China, Ecuador, France, Germany, Greece, Holland, Japan, Mexico, Panama, Peru, Serbia and Singapore, obtaining the acclaim of the audience and critics. He performs with Enrique Solinís and his brother Pablo Zapico in Pulsata3. This ensemble won the INJUVE Musical Circuits competition in 2004.

Pablo Zapico was born in 1983 in the principality of Asturias in Spain. In 2006, he earned highest honors as he completed his Advanced Studies in Plucked Instruments with Xavier Díaz-Latorre at the Ecola Superior Música de Catalunya (ESMuC) in Barcelona, Spain. The following year he concluded his Formación Continuada studies and, in 2012, earned the degree of Master of Musicology with a specialization in musical training and ancient music from the Universidad Autónoma de Barcelona. He has also participated in master classes offered by prestigious performers including Laura M. Pustilnik, Rolf Lislevand, Eduardo Egüez, John Griffiths, Juan Carlos Rivera Pecellin, Juan Carlos de Mulder, Luca Pianca, Toyohiko Satoh, and Hopkinson Smith. Pablo has performed as a continuo player and soloist in Forma Antiqva, OSPA, Oviedo Filarmonía, El Concierto Español, Estil Concertant, La Real Cámara, La Reverencia, La Ritirata, Cappella Mediterranea, Orquesta Barroca de Sevilla, Accademia del Piacere, La Hispanoflamenca, Académie Baroque Européenne d’Ambronay, European Union Baroque Orchestra,and the Akademie Für Alte Musik Berlin, among others. In a special concert commemorating the 400th year anniversary of Miguel Cervantes, Daniel and Pablo Zapico played period instruments and music from the time of Cervantes at the Calcutta International Classical Guitar Festival 2016

How was your experience playing music from the time of Cervantes here in Kolkata?

Daniel Zapico : It was just great! We felt a very warm welcoming from the audience. One could feel they really enjoyed the concert, as they came afterwards to talk with us, take some pictures and ask many things about this music and our early instruments. As this is a classical guitar festival most of them already knew arrangements of the music for modern guitar but now they were experiencing and listening to the original works in period instruments such as the Baroque guitar and the theorbo.

Pablo Zapico : It has been such an honor to be the first musicians ever to be guests in this festival interpreting early music plucked instruments. It is rewarding to see these historical instruments included in guitar festivals.

What has been some of your memorable performances till date?

Pablo Zapico : I believe I can answer from the two of us when I say that one of our memorable performances was as continuo players at the Teatro La Fenice playing Purcell’s ‘Dido & Aeneas’ La Fenice is one of the most famous and historical theaters, and it’s placed in a marvelous city. We got to spend three weeks living in Venice and we saw the city full of snow!

You're often on the roads across various countries, whether to play your music, or to teach master classes. Besides performing, how important is it to teach, advice, and promote new talents?

Daniel Zapico : Teaching is as important as to learn! You need to be open to new ideas always, to listen to other musicians and to understand different points of view. As a professional musician, you must share your experiences with the people who are starting this wonderful but hard way of life. We love to teach and we both do so in our cities, and also when we are on tour. You never know something quite well until you have to explain it.

You have won several awards and prizes at prestigious competitions around the world. What is your opinion about competitions in general?

Pablo Zapico : Competitions are a good way to show yourself to the audience and the professionals that form the examining board, but they shouldn’t determine your career, in terms of success. Sometimes it’s difficult to agree with the board criteria and that shouldn’t be a matter of frustration. What I believe important is to learn something from participating, and understand that you are not alone in your opinion about musical aesthetics. There’s not only one way of doing things correctly.

Do you think they are good for developing young players?

Daniel Zapico : I think it is not. The real prize is the concert and the audience’s applause. I believe that the audience shouldn’t take the prizes and competitions awards as a guide to know who is better or which one they should listen to concerts. Nowadays we have several ways to discover musicians and that’s healthier and more important for us than a competition between us. Everyone in the audience can have an opinion; don’t follow only the members of the jury’s one!

You are active on Facebook. In your opinion, how important can the internet and social networks be to today's musicians?

Daniel Zapico : I often hear that social media is the future, but it is not: it’s the present. For us it’s a wonderful and a powerful tool of marketing and promotion. Through it we have the possibility to connect with other musicians, promoters, festivals and all kind of audience. We have the chance to get a straight feedback from them, to announce our activities and share them with everyone around the world.

Pablo Zapico : I’ve realised that most followers also want to learn other aspects of the artist’s lives. They want to know what we are practicing, playing, and what we are doing before and after a concert. The artists, in exchange, want to break the formalisms of a concert, and reach our audience showing more personal aspects of our lives.

How do you feel about the future of classical music and the future of baroque music?

Pablo Zapico : I always say that early music (that’s to say, music historically interpreted) is a door that, once opened, cannot be ignored. Comparing it to the cinema industry, it would feel like watching a film in its original version, enjoying the rhetoric's, the accents, breathing and the original voice of the artist. The tendency, and the future, goes towards the specialization.

What are your upcoming concerts and projects?

Daniel Zapico : I finished 2016 with a solo recital in Tarnos (France) and I will start the New Year playing the opera «L’Orfeo» from C. Monteverdi in Potsdam (Germany) and Gent (Belgium) with L’Arpeggiata. Also in January I will have some concerts with the famous Spanish singer Marta Almajano and the ensemble Tiento Nuovo, just before I go to La Folle Journée on February, a crazy weekend full of concerts in Nantes(France) to play with Ricercar Consort and also a solo recital with theorbo.

Pablo Zapico : I will go on tour in January with Valetta International Baroque Ensemble through Malta, Madrid and Berlin. Then, in February, I will perform in Barcelona with my ensemble Forma Antiqva and countertenor Xavier Sabata, and later on at the Theatre of the Zarzuela, together with my brothers ensemble, Concerto Zapico, playing ‘Fandango’ There are two upcoming projects that are special to me: I will be teaching my 11th Continuum Masterclass in Salamanca, and a solo recital in Calanda(Aragón),  inside the Festival in the memoir of Gaspar Sanz, the most representative Spanish composer for Baroque guitar.

What would be word of advice for aspiring musicians?

Daniel Zapico : Keep working to find your way of playing. You don’t need to be the best, you just need to create a musical attraction on your listeners.

Pablo Zapico : Above all, don’t try to imitate others. You can learn a lot by studying and listening to the great musicians, but in the end you need to offer more. You can’t be better than those you are imitating, unless you develop your own essence and go beyond.

7

“Painting is poetry”



YingLi Shao  from Tainan started to learn painting from HungChang Cheng. YingLi participated a joint exhibition “the Four Women” in ChengKung University in 2012. Shao joined Contemporary Art League of Southern Taiwan until present since 2014. Shao held a solo exhibition in Well Gallery in Tainan, Taiwan in 2015. Recently, she was here to attend the  7th International Art Meet organised by The Stadel in association with Dimension 4 (a non profit artists’ organisation in Kolkata).


What initially sparked your interest in painting as an expressive medium?

I’m not only painting, also i like to do some creatives of clothes and potteries.

How would you describe your artistic work?

I’d like to describe my paintings  as like a  poetry.

What is your preferred medium of work and why?

I like to use oil on canvas because i feel like it’s a medium of ancient cultures and there’s plenty of  historical meanings.


What is your creative process like?

I like to play some games on frame before I start to paint, and find  some hidden/ invisible lines beyond the canvas. To imagine the situation then put my instant feelings into it.

Where do you see your work heading in the future? Do you have any specific projects you’ve been wanting to do?

I want to push myself to create some large-scale-pieces. I will start few journeys next year to seek some inspiration.

Any advice to other aspiring/young artists/creative students?

For young artists and students who have great passion for art, it would be nice if there’s any chance to set feet outside of the boundary and experience different culture by traveling.



0

copyright © . all rights reserved. designed by Color and Code

grid layout coding by helpblogger.com