From The Land of the Nobel Prize, Now comes Rabindrasangeet!

                                                                                                                                Tove, Bubu and Lars

Bengalis take Rabindranath Tagore as ‘Biswa kabi'! Inspired by music from around India and the rest of the world, Tagore was known for blending Hindustani and Carnatic ragas with the simple melodies of folk songs, be they from the Bauls in Bengal or the bards of Scotland or Ireland. He was also the first Indian and the first Asian to win a Nobel Prize in Literature.

The Lund India Choir is led by Bubu Munshi Eklund, a Bengali lady married to Lars Eklund and living in Sweden for the last 30 years. All the other members are Swedish, and most of them cannot speak Bengali. But they all sing Rabindrasangeet - and in chaste Bengali with all the appropriate nuances. They came to Kolkata in end-October and had a successful concert along with the Mamata Shankar Ballet Troupe at Star Theatre. Then the troupe performed recently at the inauguration of the new Swedish-funded Shakuntala Rheumatology Hospital and Research Institute in Balasore, Odisha, and for the students and faculty at North Orissa University in Baripada, a university involved in an Erasmus Mundus collaboration with Lund University. They also performed at a concert at Indian Institute of Technology (IIT) Kharagpur and at Sangeet Bhawan in Shantiniketan .


 Bubu  said, “Tagore is an integrated part of my life since childhood. I grew up with my father Annada Munshi playing rabindrasangeet on piano, harmonium and violin, and singing the songs. Now I am extremely happy to spread Tagore’s music in Sweden.” She explain the journey so far, “It has been my dream since I moved to Sweden 30 years ago that I should get Swedish people learn to sing Tagore’s songs. I was member of another Swedish choir where the leader asked me to teach one song in 2011, the 150th anniversary year of Tagore’s birth, that was celebrated in Sweden. I chose Ontoro Momo, and the response was so profuse that one year later I decided to start a special choir fully dedicated to singing Rabindrasangeet.” Lars Eklund, deputy director for the Swedish South Asian Studies Network (SASNET), and a member of the Swedish choir, told Abhijith Ganguly of the future plans , “We will continue to learn more songs, and after our successful tour to India, including the programme at students and professors at Sangeet Bhawan in Shantiniketan we will certainly come back again.” When asked about the recent experiments taking place worldwide on Rabindrasangeet, Lars said, “I find it is very good to experiment with various kinds of new renderings of Tagore’s music in order to increase the interest for it. I like, for example, young generation of singers who focus on the content of the songs and break out of the strict rules that has been established around on how to sing Rabindrasangeet. I also admire efforts in recent years to transmit Rabindrasangeet through western forms of music such as operas and string quartets, experiments both in Europe and in Kolkata. This will definitely strengthen interest for Tagore outside India.”

Needless to day, all the choir members have developed a deep love for Tagore songs. Tove Kjellberg, one of the members of choir, said her favourite number was Ami chini go chini and Edin aji kon ghore go. How difficult was it ? Tove smiles, “The first time I hear a song, I always wonder how am I going to be able to sing this? It will be impossible!, but then after Bubu breaks the song down in parts and after practising, it always seems to fall in places. However, the pronunciation has never been a problem to me - the sounds are quite similar in Swedish and Bengali.”
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Tram Renaissance in Kolkata



Roberto D’Andrea was a Melbourne tram conductor, Now he is the Director of The Connies, a performance troupe, which has travelled back and forth between India and Australia forging a cross-cultural commitment to trams— not just as a practical means of transport, but as a way of life. Roberto shares his views with  Abhijit Ganguly.


Kolkata and Melbourne have two rare surviving tramway systems outside Europe. Both cities have a love for trams and kept trams running against the trend of the 1960s to abandon them. In India, trams plied the streets of New Delhi, Mumbai, Kanpur and Chennai. In Australia, Sydney, Brisbane, Adelaide and Perth once had extensive tram systems. Around the world there has now been a tram renaissance to combat urban air pollution and traffic congestion. Cities in France, England, Canada, Brazil, Turkey, Tunisia, the United States and others have rebuilt, or are currently building tramways often called light rail. So Melbourne and Kolkata made the correct decision to retain trams many years ago.

This is my seventh visit to Kolkata since 1994 and all visits have had trams and the Calcutta Tramways Company (CTC) central to the script. With many and varied transport modes from human drawn rickshaws to a well run underground Metro, there’s room for trams in Kolkata’s transport mix. The CTC was nearly closed in the early 1990s. On my first visit to Belgachia Depot in 1994, I was told by local trammies that there was not much time left. I was glad this changed after local and international pressure and by the time I had returned to Calcutta in 1996 with a travelling tram show there was more hope that trams would have a future in this congested and air polluted metropolis.

There has been some good work done and cause for optimism. The Nonapukur Tram Workshops has skilled engineers and tradesman and have built in the last few years more than 25 modern looking fibreglass trams with high capacity seating. Catching Calcutta trams in the 1990s and early 2000s was a bumpy affair with tram tracks having many broken rail joints. Crunch crunch was the often heard and felt sound as the metal wheel navigated an uneven and windy monsoon worn track.

To my pleasant surprise when I was here for the 2012 Paribesh Bandhu Tramjatra, I found CTC trams on new tram track. They were still noisy but with smooth running and much less derailments and faster tram speed. With new tram track on much of the CTC network I have been happy to see a big increase in patronage in North Kolkata along College St and Bidhan Sarani from Esplanade to Shambazzar. Sadly the opposite is the case on the wide roads like APC and AJC Bose Roads. Tram stops where people can safely catch and board a tram are urgently required. Reserving the tracks and keeping other vehicles from using tram track on wide roads like RP Mukerjee Road  to Tollygunge will speed up trams and increase reliability. Increasing timetable frequency is also needed so passengers don’t wait long periods of time to catch trams. Ideally a tram every 10 minutes on popular routes would be a good start. Tram track renewal is still needed in the Maidan, Sealdah Flyover and other sections of the CTC network along Elliot Road from Nonapukur Workshops to Wellington. Tram lines open and close in Kolkata. A most welcome return is the opening of the No 29 Tollygunge to Esplanade tram route via Kalighat, Hazra, Alipore and Kidderpore in south Kolkata. Had some wonderful Tramjatra journeys in the south most notably with the much loved Usha Uttup singing on the Sundari tram in 2001. I look forward to Rash Behari Avenue opening and once again seeing trams in the Ballygunge Goompty. This is a vital link between the Metro and Ballygunge Rail Station.


I believe Kolkata needs a tram museum so visitors are given the opportunity to see the history of Calcutta’s trams. An audit is urgently required so the CTC can preserve the last of the British wooden bodied trams and beautifully built Hati Gari trams. Rabindranath Tagore’s tribute tram, Gitanjali was a Hati Gari tram number 498 built in the early 1940s at Nonapukur. I am confident that tram enthusiasts would come to Kolkata to see a display of CTC trams in one of the world’s great cities. Kalighat Tram Depot would make a great Tram Museum located near Kalighat Metro stop and Kali Temple.

"Over the twenty years of Tramjatra it has become clear that the guiding values of international friendship, care for the environment and a universal respect and appreciation for all human life were also values championed by Rabindranath Tagore a hundred years ago. There’s something about being on a Kolkata tram that is very relaxing despite the clatter and outside noise from buses, cars and autos. There’s also something about the internal environment of trams that promotes human interaction. It makes for a fascinating performance space. Tram networks are being revived around the world.

Cities in Europe which previously removed their networks are now reinstalling them at great cost. Kolkata undoubtedly needs trams. Not only because they are the only form of mass transit that does not create air pollution but because trams also emphasize our common humanity."
Polash Larsen, Bengali-Australian cultural activist based in Australia
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